The Wolves of Willoughby Chase

My review of The Wolves of Willoughby Chase by Joan Aiken is today's Retro Review over at the Nerdy Book Club. Check it out!

Cybils Wrap-up

I say "wrap-up" even though round two of the judging is just getting into gear. But for me, the work is done, and now there is nothing left to do but sit back and join those waiting to hear the announcement of the eventual winners. After months of reading, and weeks of debating, the Non-Fiction, Middle Grade and Young Adult panel chose six outstanding books as finalists. I don't envy the round two judges as they try to chose a single book to rise above the rest. Without giving away any secrets, I can say that almost everyone on they panel had to give up a title for which the felt passionately. The selection this year was excellent.

This year we have been invited to comment on "the ones that got away;" the titles that we wish had made the final cut. There were several books which I would have been happy to see make the list--books which were not on my short list but which I couldn't argue against if there was strong feeling in their favor, because they were so good. One book which missed out though, which I really would have liked to see make the list, was The Mysteries of Angkor Wat, by Richard Sobol. It's inclusion on our list was a bit of a surprise to me, because it is a picture book. There were several picture books on the list, (including The Many Faces of George Washington, which did go through as a finalist,) but they were text heavy and clearly written for a middle school or older audience. But Ankor Wat seemed young. However, we covered a wide age group, and I am assuming that is why it remained on our list and was not moved to non-fiction picture books. The picture book format served the subject matter well, giving Sobol the opportunity to share some outstanding photos on the sprawling temple. Its kid appeal was evident. Sobol introduced readers to a group of school children who sold trinkets and snacks to visitors to the temple. They befriended Sobol and shared a secret with him about the temple known only to themselves; a hook which was so surprising that I am not going to reveal here what it was, because it certainly caught me by surprise. Adults are almost non-existent in this book, other than Sobol himself, so while it is clear that these children are working to try and raise some extra money, the fact that they are playing on this ancient site completely unsupervised reveals a level of independence and freedom that American children can only wonder at.

Good luck to all the finalists! You can see a full list here.

Cybils Nominee: Can I See Your ID: True Stories of False Identities

It's that time of year again--Cybils time! I'm a little late getting this plug in (you know--life and stuff interfering with my writing) but I wanted to mention it all the same. This will be my fourth year with the Cybils. After a year as a Round Two judge, I am back as a Round One panelist, which means a whole lot of reading and hopefully lots of great recommendations for this blog. I am serving on the Non-Fiction: Middle Grade & Young Adult panel (or NFMGYA for short.) You can see the rather impressive list of nominations here. Nominations will be accepted until the 15th of October, so there is still time to nominate your favorite NFMGYA title, or any title in ten different categories--including apps, for the first time.

I've started off with Can I See Your I.D.? True Stories of False Identities, by Chris Barton and illustrated by Paul Hoppe. Chris Barton was a Cybils winner in 2009 in the Non-Fiction Picture Book category for The Day-Glo Brothers and a 2010 Picture Book finalist with Shark vs Train. His latest book introduces ten individuals--mainly teenagers--who for one reason or another pretended to be someone else. In some cases the motivation was chutzpah, in others career advancement, and in at least two survival. Each story is told in the second person, a narrative choice I really liked because it puts the reader directly into the text. It felt like reading a Choose Your Own Adventure story, where each turn of the page might have dire consequences. It's hard not to feel a little anxious when you read the line, "There's nobody you can tell the truth to--nobody you feel you can trust." I was familiar with a few of the individuals in this book: Solomon Perel (whose amazing deception was the subject of the film "Europa, Europa") John Howard Griffin (author of Black Like Me, which I had to read in high school,) Forrest Carter (whose The Education of Little Tree caused a furor with Oprah,) and Frank W. Abagnale Jr ("Catch Me If You Can.") But the rest were a revelation.

One thing Barton does particularly well is to throw the reader directly into the deception. Along with the use of the second person narration, each fraud is already in full swing when the reader joins. Keron Thomas, the sixteen year old train spotter who decides that he would like to drive a New York city subway train for a shift, is already standing on the 207th Street station platform waiting for his carriages when the story starts. While the individuals involved might have had plenty of time to plan how they were going to carry out their impersonations, the reader does not and needs to be ready to run with the situation from the get-go. Barton does take a small step back to provide some background information, but then it is back to the business at hand, which is basically, 'will you pull this off?'

Barton's extensive research for the book, which included interviews with some of the individuals still living, shows the seriousness with which he approached this subject. At the end of each story there is a "What Happened Next" explanation where the reader discovers the consequences of the deception. In his afterword, Barton seems to be directly challenging the reader with the opening question "Who do you think you are?" As middle schoolers and young adults, they might be asking themselves that same question. But further reading seems to indicate that Barton is actually questioning himself as a writer, for having the nerve to investigate these stories. Aside from raising the morality of the rights or wrongs of tricking people, Can I See Your I.D. is essentially about having "the nerve"; the nerve to trick people who are ready to be fooled, the nerve to survive when you are condemned to die, the nerve to investigate the truth in the hearts of our neighbors, and the nerve to sell someone your story.

Anticipated Arcs: Dead End in Norvelt by Jack Gantos

My experience of Jack Gantos consists almost entirely of Rotten Ralph. I haven't read the Jack Henry books, and I have only gotten as far as borrowing Joey Pigza. It was returned unread, another victim of a hydra-esque TBR pile. I mention all this because Gantos' latest book, Dead End in Norvelt, features a character named, funnily enough, Jack Gantos. But this middle-grade story bears almost no resemblance to the one he told in his compelling YA autobiography Hole in My Life--unless you compare a summertime grounding to a prison term. So I am at a bit of a loss when reflecting how the new book compares to his previous fiction (naughty red cat aside,) and utterly flummoxed if I try to match it to his actual life story. So let's examine "Norvelt" on its own merits.

The story takes place over the course of two months in the summer of 1962. Jack Gantos is the only child of a couple who might very well become Archie and Edith Bunker when they retire. They live in a Pennsylvania town called Norvelt, a cooperative social experiment created after the Great Depression and championed by Eleanor Roosevelt, after whom the town is (re)named. Grounded almost as soon as vacation starts, Jack finds himself hired out by his mother to elderly neighbor Miss Volker, a woman who doubles as coroner and obituary writer for the local paper. But her hands are so crippled by arthritis that she needs to dip them in hot paraffin just to regain temporary dexterity. She dictates her obituaries to Jack, concluding each with a history lesson which is sometimes relevant to the deceased, but usually is just a chance to pontificate about forgetting the lessons learned from history. Add to that: a best friend whose father runs the local funeral parlor, an invasion by a group of surly Hell's Angels, constant nose-bleeds, an inexplicably loaded Japanese WWII rifle, some human-deer interaction reminiscent of The Queen, (but funnier,) a never-ending supply of Landmark Biography references, a twelve-year old who drives a car, and a retiree who rides a tricycle. That goes only some of the way towards explaining how completely off the wall this book is.

Thankfully, Gantos maintains a sense of nostalgia which allows the reader to laugh at the ensuing wackiness in the context of an era so different from today--as opposed to just being weird for weird's sake. Although I'm pretty sure there is some of that, too, since I don't know which part of the book is factual and which he completely made up. Not quite historical fiction, not quite autobiography, not quite postmortem for an America that is long-gone, Dead End in Norvelt is definitely one of the funnier and more unusual books you are likely to read.

Reviewed from an Advance Readers Copy. Dead End in Norvelt--coming your way September 13, 2011.

Anticipated ARCS: The Birthday Ball by Lois Lowry

I finally got a chance to tackle the mountains of ARCS I brought home last weekend from ALA, and started with the upcoming book by Lois Lowry. Due for release in April 2010, The Birthday Ball tells the story of Princess Patricia Priscilla, who, a mere five days before her sixteenth birthday, can bear the boredom of privilege no longer. Hoping to live a little before she is required to choose a suitor at her birthday ball, Patricia Priscilla changes clothes with her chambermaid in order to visit the village incognito. There she starts to attend the local school, where her eyes are opened not just to the inequalities within her own domain, but to the choices available to her as an intelligent princess.

This is a very funny book, with enough over the top characterization and mistaken identity to please Shakespeare. The slightly maniacal illustrations by the great Jules Feiffer heighten the comedic effect of the story, as does the narrator's convivial tone. Buffoonery abounds, from the stone-deaf Queen, who lost her hearing because she was too vain to wear a hat on an extremely cold day; to the incessantly bickering Conjoint Counts who can agree on nothing except toilet humor; to the professional Splashers, who's sole duty is to make waves in bodies of water so that their odious master may never see how ugly he is. The Princess herself is not initially a sympathetic character by virtue of her condescending attitude about "peasants". She is a quick learner, however, and her natural compassion, born as much from a quick mind as a kind heart, breaks through.

Despite the fact that a princess appears on the cover on the book, complete with sparkles and a girl-friendly purple background, boys will find the three dreadful suitors (four, if you count the Conjoint Counts as two) appealing with their nasty habits and unsociable manners. For instance:

"[The Conjoint Counts] had a particular annoying prank that they played on each other. One would wait until his brother's face was turned toward his own, and then belch loudly at it and cry, "Gotcha!"
The belched-at one would invariably respond with a full-scale wedgie."

Wedgies and princesses? In the same book? Hard to resist, especially as a read-aloud.

Just as Princess Patricia Priscilla finds a way to control her fate, so does The Birthday Ball find a way to buck the conventions of the fairy tale. The ingredients are all in place, but Lowry deftly redefines 'Happily Ever After'. This one is a crowd pleaser all round.

What I am Reading Today--The Thing About Georgie

First time novelist Lisa Graff covers Andrew Clements territory with this story about a fourth grade dwarf. While George Washington Bishop's dwarfism has always been a reality, it has never been an issue. Until now. He is concerned that his soon to be baby sister or brother--dubbed Baby Godzilla in his mind--will one day outgrow him--literally. He is falling out with his best friend, Andy, and can't seem to find a way to end the fight. And the only person interested in being his friend is Jeanie the Meanie, and she has a strange way of showing affection (like signing him up against his will to play Abraham Lincoln--he tallest president ever--in the school play.)

Once I started this book I really couldn't put it down. Graff does a fantastic job of making Georgie a character the reader can sympathize with without pitying. The thing about Georgie is a great recommendation for middle grade readers, boys and girls, for we are all little in a big world.